SELECTED PUBLICATIONS
Recent Literary Publications:
“Right on my Chest,” (short story), Amoskeag, The Journal of the Southern New Hampshire University, Spring 2008.
“Little Electra,” (essay), The Rambler, May/June 2008.
Exhibition Catalogues and Brochures
“Heresies and History: Hannah Wilke and the American Feminist Art Movement,” in Hannah Wilke: Exchange Values, Artium, Vitoria-Gasteiz, Spain, 2006.
"Isabelle Scurry Chapman and Lauren Levy, New Works," Women and Their Work, 2000.
"Hannah Wilke, Gesture, and the Regeneration of the Universe," in Hannah Wilke: A
Retrospective, Nikolaj, Copenhagen Contemporary Art Center, 1998.
64 Beds, Sally Jacques, statement, Plain View Press, 1995.
Gender, Fact or Fiction?, Texas Fine Arts Association, Austin, Texas, 1992.
Anne Wallace, Into the Light, essay, Orchard Gallery, Derry, North Ireland, 1992.
Speaking for Myself, The Rotunda Gallery, Brooklyn, New York, 1991.
Woman, Native, Other, statement, Hunter College Art Gallery, New York City, 1990.
Sculpture on the Edge, catalogue entries, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, 1989.
Explorations in Handmade Paper: A Selection of Work from Rugg Road, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, 1989.
German Expressionist Prints and Drawings, Williams College Museum of Art, Williamstown, Massachusetts, 1989.
WALLWORKS, Williams College Museum of Art, Williams College Museum of Art, Williamstown, Massachusetts, 1988.
Harcourts Collection, editor and catalogue entries,1986-1987, Harcourts Gallery, San Francisco, 1987.
Articles
"Escaping the Galleria: The Ship Channel Photos of Casey Williams," in The Texas Observer, July 7, 2000, pp. 23-25.
"Curtain Rising: Nic Nicosia and the Artifice of Real life," in The Texas Observer, October 29, 1999, pp. 27-29.
"Epilogue," in Robert Arnason, History of Modern Art (New York: Harry N. Abrams), 1999.
"Joan Jonas," Entry in Dictionary of Women Artists, ed. Delia Gaze (London: Fitzroy Dearborn, 1997).
Special Report on Advocacy, College Art Association Newsletter, March/April, 1996.
"The 301 Project," co-authored with The 301 Group, Art Journal (special issue: "Rethinking the Introductory Art History Survey"), Fall 1995, pp. 75-78.
"Project BRIDGE: An Artist in Their Midst," in Part of the Solution, Creative Alternatives for Youths,
Special Publication of the National Assembly of State Arts Agencies in
cooperation with the National Endowment for the Arts, 1995, pp. 66-71.
Sally Jacques, short essay and interview in Art Papers, November/December 1993,
pp. 12-15.
"Coming Out: Jewish Identity in the Arts," Free Food For Thought, University of Texas at Austin, 1993, p. 1.
Book Reviews
Greenwich Village 1963, by Sally Banes, The Drama Review, Winter 1995, p. 197-199.
The Reenchantment of Art , by Suzi Gablik, Art Papers, May/June 1992, p.55.
Selected Exhibition Reviews
Art News: Marc
Dennis, November 1993; Robin Utterback, April 1993; Michael Tracy,
October 1992; Nic Nicosia, September 1992; Terry Allen, May 1992; The School of the South: El Taller Torres-Garcia and Its Legacy , February 1992; Cleve Gray; 1990; Robert Rauschenberg, Paintings 1962-1980, Summer 1990; Ford Beckman, April 1990.
Art Papers: Meg Webster, May/June 1993; Art at Large (Austin Visual Arts Association), July/August 1992; Gray Matters at Gray Matters, March/April 1992; A Border Survey , November/December 1992; Contemporary Hispanic Women Artists , September/October 1992.
New Art Examiner: Benito Huerta, March 1994; Sydney Yeager, October 1993; Joseph Shutzenhofer, June 1990; Marina Gutierrez, May 1990.
CIRCA (The Texas Based Journal of Contemporary Art: Annette Lawrence, forthcoming, 1996; Judy Chicago, Holocaust Project: Darkness Into Light, Winter 1995; Intimate Lives: Work by Contemporary Latina Artists, Winter 1994.
The Austin Chronicle: Regular reviews, features, and profiles of artists. 1991 to 1992.
Austin American Statesman: Weekly reviews, features, and profiles of artists. 1993 to 1995.